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'Krrish 3' is a Action & superhero or sci-fi film. Hrithik Roshan says he never expected that response: “It took us by
surprise actually because crossing the likes of ‘The Avengers’ and
‘Thor’ was something that is a great achievement for a Hindi film,
considering that we don’t have a universal language. This is the first
Indian film which is completely home, home, homegrown. All the video
effects have been done in India.”But he gets stuck in bringing the backstory forward. The soppy but sweet
`Koi Mil Gaya's ( 2003) socially challenged but brilliant Rohit begets
Krishna, who finds his super-powers in 'Krrish' ( 2006). Both the ageing
Rohit and Krishna star in `'Krrish 3', and both roles are played by
Hrithik. Priyanka, playing Krishna's TV reporter wife, has to look on
admiringly as Hrithik does his standard dance number. He is still as
dextrous, but the dancing has no zing, and the songs are terrible.
'Krrish 3' is a superhero film. It is also a throwback to the creaky family entertainers Bollywood used to make. The hero has special powers, sure, but also a loving daddy, a lovely wifey, an attractive moll and a villain with severe daddy issues. Only a pet poodle or parrot is missing.It was hard to find one scene that has no relation whatsoever with any previous superhero or sci-fi film. The lack of novelty is gravely dissatisfactory as the film has absolutely nothing to flaunt except their gusto to try something spirited of this magnitude
All supermen stories, whether desi or firangi, are hair-brained constructs where superheroes are created out of gibberish. And in these comic-book narratives the victory of good over evil is ordained. Yet, because they play on our complexes, superman and superiority, as well our fear of mortality, they work wonderfully for us. Superheroes have been around in Hindi cinema for decades, but huge technology jumps have made 'Krrish 3' the slickest of them all, special effects-wise. The rest of it is marred by tackiness. When Krrish is doing his derring-do stunts, we watch, even if we've seen Superman do this 30 years ago. But when he delivers maudlin dialogue about fathers and mothers and bravery, we are pulled back to the ground with a thud, with the superhero the Roshans made.
Hrithik is the perfect choice amongst the Bollywood superstar lot to do
this role. With his superbly articulated chest, each muscle moving and
shiny and oiled, Krrish doesn't even need a mask and a cape. But the
ensemble is eye-catching, and we ignore his immaculately-styled long
hair, flying in the wind, when he is whizzing about rescuing little
boys. Roshan Jr is as likeable and earnest as he usually is, but can't
rise above the mothballed treatment. Roshan Sr, who has written and
directed, should have given the superhero more to do.So Enjoy
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Director:
Kevin Macdonald
Writers:
Jeremy Brock, Tony Grisoni, 2 more credits »
Stars:
Saoirse Ronan, Tom Holland, George MacKay.
One of the many reasons the film works is down to Saoirse Ronan’s performance. Her transformation from self-centred teenager to a smart, pro-active and fiercely protective woman is convincing and flawless. You would have to be a cold human being not to be cheering her on.The soundtrack deserves a special mention, with songs from Daughter, Natasha Khan, and Amanda Palmer. Jon Hopkins’s score is a mixture of soaring, dewy-eyed symphonies as well as music that sounds like it came from your most sinister and disturbing nightmares. I’m going to be picky here and stop myself from giving How I Live Now a perfect fiver stars, and this is because of the ending. It’s brilliant in the sense that it’s not the happy ever after ending that some teenage girls might be hoping for, but it is optimistic, suggesting that if you find someone who genuinely loves you, you can overcome any scars you have suffered in your life. THAT I don’t have a problem with! What had me scratching my head is how the British government seems to quickly regain control of the country, life pretty much returning to normal. I started to wonder if the rebels had suddenly swapped their guns for water pistols. Maybe that’s the point, that despite what the creepy government broadcasts might say, things will never be “back to normal” for Britain’s survivors. If this is what MacDonald was after, then the ending’s impact felt watered down, like the script was trying to conveniently wrap things up.
Kevin MacDonald’s How I Live Now is the polar opposite of The Hunger Games. If The Hunger Games is the sweet, Photo Shopped, caked under a JCB-load of make-up, little girl, then How I Live Now is its chain smoking, tongue pierced, ripped tights-wearing twin sister. MacDonald is the man who gave us The Last King of Scotland; he doesn’t do dumbed down.
MacDonald’s latest is set in remote England. The world is in turmoil, governments across the globe fighting with rebels (occasionally referred to as terrorists) for reasons unknown. Daisy (Saoirse Ronan) is sent to England to live with her cousins until things calm down. At first, Daisy is your typical moody teenager who hates everyone and has a smart answer for everything (“I’m a Yank, but I’m not gonna kiss your ass, just ‘cause you’re British!”). Soon she starts to love her family – Edmond, her eldest cousin (George MacKay), especially – and their optimistic, naïve view of the world. When a dirty bomb goes off in London, Daisy and Edmond are separated, taken to military camps that are far from safe and secure. Forced to look after her youngest cousin Piper (Peppa Pig’s Harley Bird) and grow up fast, Daisy decides to trek across Britain, back to her family’s cottage, in the hope that Edmond will be there waiting.
While How I Live Now is for a teenage audience, it has not been made for fans of Twilight. The film does not shy away from its grim, harrowing depiction of a war-torn Britain. It is violent, with a well-judged mix of what is shown (Daisy searching through body bags that have been ravaged by foxes, wanting to know if her cousins are dead, is truly hard to watch) and what is implied (one character, a teenager, is shot whilst trying to escape a gun battle). This is an anti-war film, and MacDonald does not tone down the abominations that Daisy witnesses on her journey home (made even more upsetting, being set in the English countryside).
MacDonald manages to pull off the same trick he used in The Last King of Scotland. In this film, James McAvoy lives the good life working as Forest Whitaker’s doctor. We know it will never last, and MacDonald knows we know, skilfully playing with our anticipation so that, when the inevitable happens, it is every bit as brutal as we expect. At the beginning of How I Live Now, Franz Lustig’s cinematography shows us a striking English landscape and litters it with shots of low flying planes, army trucks and barricades. We see Daisy and her family playing in the fields and forests, happy and not hurting anyone, and know this will never last. When the dirty bomb goes off, Lustig manages to make it both beautiful and frightening, Piper believing that it has suddenly started to snow. As Daisy and Piper journey across Britain, MacDonald barely gives us time to breathe, and when he does, it is usually followed by something bad; Piper finds chocolates and expensive shoes in the woods, only to realise they are debris from a plane crash, the bodies hanging above them in the trees. How I Live Now isn’t a full ninety minutes of grim depression. It is hopeful without being happy, smiley and syrupy-sweet and, certainly for teenagers, if not all of us, it has an important and optimistic message.
This is the only problem I had with the film, and it’s a very minor one. How I Live Now is a love story that does not patronise its audience. It is gripping, at times frightening, and has scene-after-scene of faultless cinematography. It’s just a shame that, despite starring The Host and Byzantium’s Saoirse Ronan, it will largely go unnoticed at the box office, while the latest Hunger Games will make enough money to wipe out the world’s debt problems.When I sat down in the cinema to watch The Hunger Games, I was expecting great things. I hadn’t read the books, but plenty of my friends had, and were all telling me how I absolutely had to see this film. Also, to quote the guy at the cinema who gave me my ticket; “You’re really gonna like this film!”While I didn’t walk out of the cinema in a violent rage (the guy who sold me my ticket would have been first on my hit list!), I did feel like I had watched a film that had been sifted, pulped and filleted, its source material replaced with the latest cutesy ride at Disney World.
Release Date: October 24, 2013 (p.m. screenings)
Studio: 20th Century Fox
Director: Ridley Scott
Screenwriter: Cormac McCarthy
Starring: Michael Fassbender, Penélope Cruz, Cameron Diaz, Javier Bardem, Brad Pitt
Genre: Thriller
MPAA Rating: R (for graphic violence, some grisly images, strong sexual content and language)
Ridley Scott's The Counselor, from a script by Cormac McCarthy, stars Michael Fassbender as the title character, a slick lawyer who is madly in love with Laura (Penelope Cruz). He asks her to marry him, and she agrees, though she is unaware that serious financial troubles have prompted him to fund a drug deal with a shady but established middle man named Westray (Brad Pitt), that could bring in millions.
Legendary filmmaker Ridley Scott and Pulitzer Prize winning author
Cormac McCarthy ("No Country for Old Men") have joined forces in the
motion picture thriller "The Counselor," starring Michael Fassbender,
Javier Bardem, Brad Pitt, Penélope Cruz, and Cameron Diaz. McCarthy,
making his screenwriting debut and Scott interweave the author's
characteristic wit and dark humor with a nightmarish scenario, in which a
respected lawyer's dalliance with an illegal business deal spirals out
of control.
Part of the counselor's financial troubles stem from the fact that he's investing in a club being opened by his best friend Reiner (Javier Bardem), a hedonist and occasional client who has attained his wealth by any means necessary, and likes to keep his wife, Malkina (Cameron Diaz) covered in all the accoutrements the wealthy enjoy.
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Director:
Alfonso Cuarón
Writers:
Alfonso Cuarón, Jonás Cuarón, 1 more credit »
Stars:
Sandra Bullock, George Clooney, Ed Harris
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Gravity is the first movie in seven decades from Cuaron, since his dystopic movie Kids of Men. Shot in 3-D, with completely immersive genuine objective, you should see Severity that way, ideally in Imax, seated in the center near the coming back of the cinema, for the finish concentration of the encounter. That way, you will be revoked, almost trapped in area with the jet pilots.Gravity is part of something bigger that is going on in movies right
now. Many of the films being released this fall that lead the Oscar
lists are survival stories. All, in a way, are descendants of Daniel
Defoe’s 18th-century novel Robinson Crusoe. Kidnapping and bondage in
Twelve Years a Slave; piracy and abduction in the upcoming Tom Hanks
movie Captain Phillips; and a shipwreck in the Robert Redford drama, All
Is Lost.
These films are an alternative to the artifice of the CGI
global-franchise movies, with their complicated mythologies and overload
of special effects. There’s something conceptually pure about a drama
that pits one individual against a hostile environment, that recognizes
there are few experiences more immediate than a body in trouble. With
Gravity, Cuaron uses cutting-edge technology, from robotic cameras to
expert CGI, to create not a fantasy but tangible experience.
Ladies and gentlemen, we have a game-changer. Aside from everything
else that can be said to praise the new Warner Bros. sci-fi thriller
Gravity,
the first thing that you should know is, you’ve never seen
anything like the visual experience of this film. It’s akin to the
effects leaps represented by 2001: A Space Odyssey, Star Wars, and
Avatar. So realistic and breathtaking, in fact, that you’ll forget
you’re watching special effects, and feel as if the movie were actually
shot in space. But as great as that is, there’s far more to praise about
director Alfonso Cuarón’s masterpiece than just the greatest special
effects to yet grace the big screen. Let’s look at some of the box
office and budget considerations, before I give you my full review.
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Director:
Jeff Tremaine
Writers:
Fax Bahr (story), Spike Jonze (story), 5 more credits »
Stars:
Johnny Knoxville, Jackson Nicoll, Greg Harris
Jackass Presents: Bad Grandpa Unlike prior Jackass films, Bad Grandpa is peppered with a scripted storyline that tethers all of the hidden comedy beats (and penis jokes) together. Yet, the main draw of the film is still the outrageous improvised interactions with regular people on the street – unaware of Knoxville and director Jeff Tremaine’s elaborate pranks. For this reason, moviegoers may be mixed on whether or not the straightforward narrative actually enhances or hinders the success of the film. Some viewers will likely find the story (which is pretty soulless and very predictable) to be a waste of runtime with no substance, wishing that more (of the far superior) hidden camera moments were included instead. Others will appreciate the added effort from Tremaine and Knoxville, who present a film that does slightly more than the Jackass standard – which jumped from one scandalous moment to the next.
Easily the most remarkable aspect of Bad Grandpa is the inclusion of
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Knoxville and Tremaine asked of the young actor. Nicoll delivers in
scripted moments but his interactions with concerned adults on the
street provide solid payoff – oftentimes stealing the spotlight from
Knoxville. It’s hard to imagine anyone, much less a pre-teen kid, being
able to keep a straight face while shooting Bad Grandpa but Nicoll never
shows signs of cracking – providing a hilarious new twist on otherwise
straightforward Jackass comedy beats.
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The overall tone is lighter, less offensive and with more heart,
although parents should keep in mind that the level of vulgarity and
sexual innuendo is still very high. There are a few "stunts," some
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around throughout the movie. There are some sensitive, albeit fake
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Regardless of how filmgoers respond to the scripted bridge scenes, Bad Grandpa is still a Jackass movie in nearly every way imaginable – meaning that the film will, without question, satisfy fans of Jackass: The Movie, Jackass Number Two, and Jackass 3-D. Nevertheless, the narrative material is not enough to draw-in viewers who did not enjoy prior entries in the series. As mentioned, Bad Grandpa‘s barebones storyline only adds surface level plot – without taking time to earn any of its attempts at (tongue-in-cheek) emotion.
Director:
Gavin Hood
Writers:
Gavin Hood (screenplay), Orson Scott Card (based on the book Ender's Game by)
Stars:
Harrison Ford, Asa Butterfield, Hailee Steinfeld
Ender’s Game is a tightly plotted, un-bombastic sci-fi movie that has the bad luck of being a relatively faithful adaptation of a novel by Orson Scott Card. Though it can’t overcome the source material’s problematic themes—namely, Card’s intentionalist morality, which prizes a character’s ideals over their actions—or its all-too-convenient characterizations, the film manages a sustained sense of momentum and tone that is rare for a contemporary, big-budget movie. The less viewers think about the movie’s ideological underpinnings, the more likely they are to enjoy its restrained performances and immersive science-fiction visuals.Written and directed by Gavin Hood, based on the book by Orson Scott Card; director of photography, Donald M. McAlpine; edited by Zach Staenberg and Lee Smith; music by Steve Jablonsky; production design by Sean Haworth and Ben Procter; costumes by Christine Bieselin Clark; visual effects supervisor, Matthew E. Butler; produced by Gigi Pritzker, Linda McDonough, Alex Kurtzman, Roberto Orci, Robert Chartoff, Lynn Hendee, Mr. Card and Ed Ulbrich; released by Summit Entertainment. Running time: 1 hour 54 minutes.
In the near future, a hostile alien race (called the Formics) have
attacked Earth. If not for the legendary heroics of International Fleet
Commander, Mazer Rackham (Ben Kingsley), all would have been lost. In
preparation for the next attack, the highly esteemed Colonel Graff
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best young children to find the futureMazer. Ender Wiggin (Asa
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difficult war games, distinguishing himself and winning respect amongst
his peers. Ender is soon ordained by Graff as the military's next great
hope, resulting in his promotion to Command School. Once there, he's
trained by Mazer Rackham, himself, to lead his fellow soldiers into an
epic battle that will determine the future of Earth and save the human
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